Take part in a Georgian singing workshop and join the thousands of voices before you that have contributed to this millennia-old folk tradition.
The songs we teach span a wide range — from lively toasting and horse-riding songs to meditative chants — and vary in complexity depending on the skill level of the participants and the length of the workshop. We provide lyrics (and occasionally notated scores), but all songs are taught by ear, since this is the most effective way to convey the unique musical nuances of the tradition. We also spend time on developing specific vocal techniques characteristic of Georgian singing. (Check out some of the videos below.) If time and enthusiasm allows, we may even teach a round dance – both the song and the movement – it’s such fun! (see a vid example at the very end.)
Whatever we end up teaching, we always explain each song in the context of Georgia’s diverse regional styles, genres, and cultural narratives.
If you’re interested in booking an ORI SHALVA workshop, or want more details (including our next workshop date), please get in touch via our contact us page
TEACHING STYLE
The videos above provide a general mood of our workshops and an idea of some of the repertoire we cover. The videos below – although are from our online workshops – are examples of our teaching style: 1) melismatic techniques from Satamahsho, a Kakhetian dance songs; 2) a complex krimanchuli (yodelling) line from the song Guruli Perkhuli; 3) general way of teaching the Svanuri song Lazhghvash; 4) reviewing all three parts of Azar (a lament from Abkhazia); 5) demonstrating possible variants in Imeruli Mgzavruli 6) teaching the last verse of Imerguli Mgzavruli Please note these videos are excerpts and represent only a moment of the whole teaching process.
MORE ABOUT US
We are Canada’s foremost experts in Georgian polyphony, Georgian-born singer/multi-instrumentalist Shalva Makharashvili, his Toronto-born partner, singer and published Georgian ethnomusicologist, Andrea Kuzmich, and their son Shalva-Lucas (aka Luca) Makharashvili. Shalva and Andrea have been leading Georgian singing workshops for over 20 years. Both were featured soloists in Darbazi; founded the award-winning trio ZARI; and perform with their family ensemble Ori Shalva. They also have collaborated with many groups in Canada, including the award winning international ensembles Tafelmusik and the Aradia Ensemble; as well as UofT Vocal Jazz Ensemble, Toronto Children’s Chorus, Folk Camp Canada (formerly the Kosa Kolektiv) and many others. As a result, they have exposed many in Toronto (enthusiastic amateur singers to professional musicians and composers) to the intricacies of Georgian polyphony.
WHAT PEOPLE SAY ABOUT OUR WORKSHOPS
An enjoyable sharing of interesting songs, singing and music. With a smiley side of open hearts and kindred spirits. – Jan Knoppers
Thank you for a wonderful workshop and an opportunity to learn from artists with such integrity, talent and hospitality… The workshops are well structured, easy to follow and very enjoyable. – Merey Ismailova
ABOUT GEORGIAN POLYPHONY
Georgia, is located in the mountainous region of the Caucasus, the crossroads of Europe and Asia. Its ancient singing tradition, known for its distinctive and haunting harmonies, was recognized by UNESCO as an intangible masterpiece of humanity in 2001. The 3-part form defies Western conventions and comes in a plethora of musical dialects, reflecting the diverse geographical and cultural makeup of the land.
Singer/guitarist Andrea Kuzmich’s signature style is to tickle the listeners’ senses into an irresistible, groove-driven experience. Mixing her 30 years of expertise in Georgian and Ukrainian vocal polyphony with her background in jazz and contemporary improvisation, Andrea (voice, guitar) teams up with the raw driving improvisational skills of some of Toronto’s finest, to unleash an elemental folk energy in performances. But don’t expect to just sit back and take it in. In true folk form, she’ll find a way to invite you in on the celebratory musical affair.
Andrea recorded music for her first EP in September 2025, to be released as singles over the first few months of 2026.
Please follow Andrea on Instagram to keep track of the eclectic musical projects she’s involved with
Andrea first made her mark in the music scene as a versatile Toronto singer with performance, leadership and/or composition/arranging roles in classical choral, Congolese gospel, South Indian singing and drumming, vocal jazz (both big band and small ensembles), as well as contemporary improvised new music.
Yet, perhaps drawn by a musical thread from her Ukrainian heritage, her professional development got sidetracked early on by the mystique of traditional vocal polyphony – first Georgian, then Ukrainian. She went on to lead the Kosa Choir (2023-) and co-found Kalendar (2013-) and Sing with Ukraine (2022-), while also becoming recognized as one of Canada’s foremost practitioners and scholars of Georgian polyphony (Ori Shalva (2020-) ZARI (2003-2018), and Darbazi (1995-2013).
Now based in Toronto, Andrea intuitively weaves this rich diversity into unique arrangements of traditional ritual and lyrical songs from Eastern Europe, her own originals, and spirited reinterpretations of standards. Her performances are fresh and groove-oriented, “drawing her listeners into a world of sensuality” (Rudy Blair Entertainment Media).
Another project to come out of Andrea’s recent musical explorations at the Tranzac is POLYPHONICA: an electro-acoustic project born from the collaboration between Andrea and electronic musician and jazz keyboardist Daria Morgacheva. By weaving ritual and lyrical songs from Georgia and Ukraine with live looping, keyboards, and improvised vocals, the group creates a distinctive fusion of beats, soundscapes, folklore, and song. Their music evokes the ancient traditions of communal gatherings to celebrate cosmic events like solstices, seasonal changes, and personal milestones. Click the image to jump to POLYPHONICA’s playlist on Soundcloud.
As an award winning singer, a teacher, an ethnomusicologist, and music facilitator, Andrea has performed in and/or recorded with numerous ensembles and choirs throughout Toronto: from Whitney Smith’s Big Steam Band to the conventional SATB Choir of Trinity-St. Paul’s United Church; from the contemporary improvised new music of the Element Choir and vocals she provided for the soundtracks of The Witch and The Tall Grass, to the traditional folk music (see above). She can be heard on Veryan Weston’s “Make” (2017); Tanya Tagaq’s “Retribution” (2016); DoVira’s “DoVira” (2016); Kalendar’s “Sichen” (2016); ZARI’s “ZARI” (2008); Whitney’s Smith Big Steam Band’s “Swing’s Mistress” (1998); movie soundtrack “The Witch” (2015); documentary soundtrack “What is Love” (2016), among others. She has worked and performed with many of Toronto’s finest musicians, including Maryem Tollar, Bernie Senenski, Kevin Malon, Alex Samaras, Christine Duncan, and many others and has also played and/or shared the stage with international greats like Joe Lovano, Kenny Werner, Dave Holland, Christine Jensen, Maryna Krut, Lena Bloch, and others.
Finally we get a chance to properly thank you for your incredible support of our fundraiser, Sakartvelo Bound. Your contributions—whether through well wishes, endorsements, financial aid, or labor—enabled us to return to Georgia to study and perform Georgian songs for the first time as a family. Immersing ourselves in the land, traditions, and teachings of the world’s best Georgian singers was transformative. Experiencing the spirit of this musical tradition in the homeland has rejuvenated our passion and commitment to sharing Georgian polyphony. There was also a strange sweetness to witness the many Canadian flags ornamenting so many places and events, and a humbling reminder of our role in representing Canada. But we did Canada proud – as we found ourselves pleasantly surprised to receive so many accolades for our authentic performances of Georgian polyphony, along with invitations for further collaborations in Georgia and with the broader singing communities across Europe. Thank you for making this journey possible!
And in case you are curious, below are many details of our travels and experiences. Hope you enjoy reading about it and please feel free to reach out if you have any comments of questions.
Supras, food, song and toasting…
On the first night of Festival Sakartvelo, after a 5+ hour bus ride from the State Folklore Centre in Tbilisi to Ambrolauri in Racha, we were greeted with an unforgettable feast. Fresh meats, vegetables, herbs, spices, and walnuts came together in dishes bursting with distinct flavors. And it didn’t stop there—breakfast, lunch, and dinner were all equally abundant, almost overwhelming in their generosity.
A highlight of the region was Khvanchkara, a unique, exceptionally smooth, and richly dark red wine. Naturally sweet from a blend of grapes that grow exclusively on the north-facing slopes of Racha’s mountains, it was unlike anything we had ever tasted.
But a supra is much more than food and drink. Toasts anchor the experience, guiding the flow of wine and conversation, as one is not to drink without contributing to the toast. Songs weave through the moments, adding depth and connection. Whether it was an intimate supra with Giorguna as our tamada or the grand feast we shared on the mountain in Lechkhumi, these gatherings were magical and filled not only our bellies but also our hearts.
Ohoh! Gabo thrown from an unexpected bass line when singing with one of Dziraini’s banis. There were so many moments like these…
Lechkumi was like visiting a dream
Our cultural day was in Lechkhumi, a region in north west Georgia known as a wild, remote highland area of the Greater Caucasus mountains. We went to visit the wine estate of the Khmelidze family. We drove for hours, high into the mountains but the marshutka (small bus) couldn’t make it all the way to the top, and we had to walk the rest of the way. When we got there, it was like visiting a dream.
It was unbelievably picturesque. (I leave it to the pictures below to better describe.) But it wasn’t time to bask in the beauty. Our day was filled with a singing/dancing workshop, wine tasting, a Lechkumi cuisine demonstration, a dance performance and, of course, a supra.
Tornike Skhiereli, the leader of Dziriani taught all the participants, including the administrators, the song Raeo. How epic it was – all of us singing and dancing on the top of the mountain. (Check out the video below in the learning from Dziriani section)
The hill that the bus couldn’t climb
The Khmelidze family has been making wine in small batches for over 200 years. The process involves the wine gestating in a qvevri, a large egg-shaped earthenware vessel that is buried in the ground for at least 8-9 months. We tasted 3 different wines, all of which were amazing. And then after, or maybe during, we broke out into song and dance, right on top of where the next batch of wine was gestating. Levan Khmelidze, the patriarch of the estate, was so pleased, suggesting that so much singing would make his wine taste even better.
Of course the singing didn’t end then. It carried on into the Supra, which looked like something out of a fairy tale: two long tables, ladened with Georgian food and the tasty Khmelidze wine, stretching out, overlooking the mountains.
Iuri, from Dziriani stopping off at his home to grab some wine along
and some lobiani that his mom made! Yum!
under each of those metal spheres lies a kvevri underground, a huge clay pot where the wine brews… it’s an 8000 year old Georgian tradition!
and it makes such good wine!
we were just about to learn a dance song
workshop on Racha’s cuisine
such goood wine!
Members of the German group Mravalo
Members of the US group Kitka
A Word About Dziriani: study, friendship…
At the beginning of the international folklore festival we were grouped with a wonderful choir of Rachian Georgian singers called “Dziriani” who shared their songs and drinks with us over the next 3-4 days. Below we talk about what we learned from them but more profoundly than learning the songs, we experienced their warmth, generosity and joy and have made lasting lifelong friendships!
In the days leading up to the performance in Racha, Dziriani taught our group two songs; The first being “Dalie”, a two-choir drinking/celebration song that was perfect for getting us in the Georgian spirit. The second was “Maghla Mtas” which translates to “high mountain”, a tale of a centuries-old battle between the Rachians and the Ossetians. It is also performed in a two-choir formation but this one has a round dance, which they tried teaching us!
Following the concert in Racha we traveled with Dziriani to Lechkumi, which we already mentioned above. Before hitting the road, Iuri (one of the members of the choir) stopped at his mom’s house to pick up a stack of freshly made lobiani and jugs of wine (you can see the pictures of this in the gallery above), and then we were off to the higher mountains. Dziriani sang so much on the ride up that the leader of the group, Tornike Skhiereli, had to urge his choir members multiple times to save their voices for later performances.
After tasting wine and singing even more with all the groups of the festival, Dziriani taught everyone one last song: Raeo, which had all of the groups singing and dancing together on top of that picturesque mountain haven.
Concert Culture
When I talk about concert culture in Georgia, it’s a different perspective. It’s not about the audience’s experience. It’s about the performers. And in Georgia, when you throw so many singers together, you just can’t stop them. Singing results. Lots of singing. Even some dancing. One doesn’t have to wonder whether more singing takes place off than on stage in Georgia – it’s just a fact in Georgia. Take a look at this video, a few hours before the opening concert of Festival Sakartvelo in Ambrolauri, Racha. Or the vids below of what happened backstage at the closing concert of the festival.
And check out these pics to help convey more about the atmosphere around concerts in Georgia.
Gabo and Shalva up front, Polo, a bani from Dziriani, and Leo (from Alilo) during sound check in Ambrolauri
Sound check for 15 ensembles takes a long time so I got some work in on my Symposium paper.
Organizers Zura and Erekle
Making the set list
then sharing the set list as a png to all
About to perform with Dziriani in Ambrolauri
Ori Shalva’s performance at the State Folklore Centre
Walking the hall of Rustaveli Theatre
The performance hall
Run through of Raeo with Tornike
Waiting room – backstage at Rustaveli Theatre
Tornike’s little girl dancing to Lalkhor and Kitka’s singing backstage, in the “waiting room” at the Rustaveli Theatre
Dziriani, Ori Shalva (without Big Shalva who was sick) and Alilo
Just before we were about to perform backstage
Shalva backstage at the Tbilisi Conservatoire, Opening concert of the Symposium
Performances & Ensembles
There’s no way we can adequately reflect on all the amazing music we saw. The two festivals (Festival Sakartvelo and the Symposium on Traditional Polyphony) featured an amazing and diverse line up of Georgian performers: like the mixed gendered Svan group Lalkhori; the women’s groups Satanao and Nanina; Mtiebi and Amer-Imeri continuing to thrive as a legacy to the Garaghanidze family; local Svanuri/Rachuli ensembles Lentekhi and Oni; the modern quartet Ranina; various student choirs from different Tbilisi Universities and different regional choirmaster schools; a trio performance featuring Georgia’s oldest surviving Master singer Tristan Sikharulidze; the inspiring and heartwarming Acharian village, song and dance ensemble Mareti; and of course the amazing featured Rachuli ensemble Dziriani. Buy we also got to connect with a host of old and new singing friends who came to Georgia from all over the world to sing and learn Georgian songs. Most impressive for their humility, warmth and exceptional skills were the American women’s group Kitka and the Latvian ladies Saucējas. The relatively young group Alilo, from France, were also excellent singers and fun musical conspirators. We also developed new friendships with the Welsh women of Samaia and the Germans from Mravalo – an online choir led by one of Georgia’s premier conductors and music educators, Tamar Buadze. And there were so many others, like ethnomusicologists Polo Vallejo (who felt like our new-found-long-lost uncle) and Caroline Bithell, or Scottish singers Madge Bray and French singer Francoise Arnaud-Demir. Of course, our hearts warmed so much to see our long-time British and Australian friends from Maspindzeli and Gorani, some of whom we hadn’t seen for possibly 10 years. And we must say how impressed we were with Maspindzeli’s repertoire and performance! Holly Taylor-Zuntz and Susan Thompson are two other individuals that need mentioning, for their support in documenting and advocating for Georgian polyphony through their project Voices of the Ancestors. And of course we must recognize tireless organizers from the State Folklore Centre and the Research Centre for Traditional Polyphony like Nino Razmadze, Giorgi Donadze, his son Erekle, Zura Tskrialashvili, Givi Abesadze, Ana Lolashvili and countless others who worked so hard and were exceptional hosts.
Wish we had space for pics of each group/scholar who participated in these festivals; instead this group shot will have to do
Of course there were many other performance and ensembles that were amazing, many of which never got recorded. However, if you are interested in checking out more performance videos , visit the Voices of the Ancestors Youtube channel.
Scholarship…
One final note – Andrea, as a scholar, also took part in a few academic presentations.
Andrea presented a paper on the transnational practices of traditional Georgian and Ukrainian polyphony within the dynamic cultural landscape of Toronto. She noted that Georgian polyphony is supported by a small diaspora with limited institutional backing, unlike in Georgia, where it benefits from significant support. In contrast, Ukrainian polyphony in Toronto is bolstered by a well-established diaspora with strong cultural infrastructure but faces challenges due to the tradition’s marginalization in Ukraine.
And at a round table on International Participation in Georgian Traditional Music, Andrea highlighted the lack of recognition for the significant achievements of Georgian polyphony in Canada. She attributed this to the greater distance and financial challenges of accessing Georgia from Canada compared to Europe or the United States and advocated for the international community and Georgians to not forget the work done in Canada.
Thank you!
There really is so much more we would love to share with you but it already took us so long to make this post! But this journey deepened our connection to Georgian music and traditions in unimaginable ways, and we are immensely grateful for the opportunity to represent Canada so meaningfully. Thank you for making this experience possible! We hope you enjoy the photos and videos and invite you to reach out if you have any questions or comments.
A 3-ALBUM DIGITAL BUNDLE for a donation of $45-$50
An album of ZARI chanting in the Shiomghvime monestary in Mskheta
The live concert recording of GABO’s TRIO from the 2018 Symposium on Traditional Polyphony
A yet-to-be released 2019 recording of ORI SHALVA. These tracks, originally recorded for the TV show Sounds of Canada, produced by the Ethnic Channel, were never fully released! AND includes a bonus track by the beautiful Iremashvili Sisters.
A GENUINE SHEEPSKIN HAT for a donation of $150-$200
These handmade sheepskin hats, from the mountains of Georgia, are beautiful, breathable and really warm. When it’s really cold, wearing one is almost like wearing another jacket. You will literally be armed with the warmth of this hat. They come in an off-white colour (as in the picture), black, or off-white with light brown spots. When you choose this gift, don’t forget to let us know your hat size and preferred colour. For pickup or delivery within reasonable distance from Toronto.
A PRIVATE LESSON with SHALVA for a donation of $100-$125
Shalva Makharashvili has been performing the music of his homeland for over 35 years. Starting with the panduri at the age of 4, and progressing to classical guitar, studying at the Tbilisi Conservatoire. He is a natural at both the panduri and chonguri and has experience teaching online as well as in person. Note: in-person lessons must be within a reasonable distance from Toronto.
PRIVATE CONCERT by ORI SHALVA for a donation of $1000-$1250
Have a special event coming up – a big anniversary, a birthday, a reunion? Consider having Ori Shalva as that something extra to make your dinner or special event unforgettable. Have us sing a few sets or use us more informally or theatrically… Or have us frame your dinner/event in a more traditional Georgian way, with the combination of meaningful, uplifting toasts and powerful, visceral songs.
Have Ori Shalva teach a 2-3 hour workshop for your group of singers. In some shape or form, the members of Ori Shalva have been teaching workshops in Georgian Polyphony for over 22 years! With epxertise teaching online as well as in person.
Note: in-person lessons must be within a reasonable distance from Toronto, though we may consider travelling further to lovely places ;)
Join us at THE SUPRA. SUNDAY SEPT 8, 4:30 PM – 7:30ish PM at the beautiful Teatro Sur Theatre, in Toronto, 1159 Dundas St E Studio 145, at Carlaw. This is a rare chance to experience the exceptional blend of Georgian cuisine, beautiful toasts and powerful songs – performed by Ori Shalva – through a ritual feast called the SUPRA. Includes 2 glasses of wine with a 5-6 course meal, featuring some of the exquisite cuisine of Georgia.
THANK YOU FOR YOUR SUPPORT! Please share with anyone who may be interested
If you are ready to donate, you can do so 2 ways:
Save on processing fees and send your donation via e-transfer to orishalva AT gmail.com. Please include Title of the Thank You Gift in the message box and be sure to send us an email so we have your contact info to send a confirmation receipt and updates.
Donate using Credit Cards via our PAYPAL LINK (which is in Andrea’s name). Note: You do not need to have a paypal account to donate this way. Also note: we will send you a confirmation receipt and updates to the email you used with the paypal payment. Please be sure to enter the correct amount and choose the correct gift from the drop down menu.
Have questions about any of the gifts, donations and/or methods of payment?
This September, for the first time ever, Ori Shalva will return to the homeland of Georgian polyphony, to perform & study with the best traditional Georgian singers in the world!
SAKARTVELO BOUND is a crowdsource funding initiative, where each donation holds so much significance, and unique and thoughtful gifts for those who contribute.
OUR THANK YOU GIFTS ARE POSTED! CHECK THEM OUT HERE
Unfortunately, our original funding fell through and we struggled with the decision of whether we should still go. Given that it’s the first time our whole family will sing and perform in Sakartvelo, we have mustered the courage to embark on this tour!
As you know, travel from Canada to anywhere is expensive. But travelling with a whole family, to a niche location like Georgia is even more challenging! So we have created this fundraiser, SAKARTVELO BOUND, to help with our flight costs (over $8000!) and we welcome any support we can get.
We have lots of heartfelt and unique gifts in exchange for your donations, like:
a seat at an authentic and intimate traditional Georgian feast framed by an elaborate series of toasts punctuated by songs performed by Ori Shalva
music lessons with Shalva (senior)
a personal performance by Ori Shalva
Genuine sheepskin Khevsureti hats
and more!
OUR THANK YOU GIFTS ARE POSTED! CHECK THEM OUT HERE
Since we ourselves are so niche, we will run a grassroots campaign. To make a donation and select your gift/s, we ask you to contact us via email (orishalva AT gmail.com) or through our online form, soon to be posted. And we are excited to update the tally of available gifts and funds raised as we go along.
SONG SCAPING is a four month residency at the Tranzac Club of workshops and performances by Andrea Kuzmich, intersecting traditional vocal polyphony, improvisation, and song. The Tranzac Club is located at 292 Brunswick Ave (just S of Bloor St).
THU JAN 19 7-9 PM COLLIDING WITH KOLIADA
Koliada refers to a Slavic winter carolling tradition, thick in pagan references and gratitude, the practice usually starts in December can continue well into February – singing away those dark and cold winter nights!
7:00-8:15 PM Vocal Workshop learning winter carols 8:30-9:00 PM Performance of Koliada inspired repertoire with a small band AND YOU!!
(Here’s a little audio sample of what you may hear and sing along with)
The workshop will teach 2-3 traditional polyphonic Ukrainian winter carols. The performance then demonstrates how these songs and others are “scaped” into pieces arranged for a small band, consisting of: Andrea Kuzmich on voice & guitar; Alina Kuzma voice; Jaash Singh percussion; Jim Bish tenor sax; Michael Herring on bass; special guests from Kosa Koliadanyky AND YOU!!
SAT FEB 25 5-7 PM UNCONVENTIONAL LOVE
UNCONVENTIONAL LOVE…will feature 2-3 singer/songwriters presenting their original compositions and arrangements that challenge the conventional love ballad, and offer new “scapes” of the love song.
More info to come…
THU MAR 16 7-9 PM SPRINGING CAROLS
Vesninanky are Ukrainian spring carols. Many of these are ritualistic and, with their use of interesting vocal techniques and powerful dissonance, represent some of the most archaic layer of Ukrainian polyphony.
7:00-8:15 PM Vocal Workshop learning Vesnyanky (spring carols) 8:30-9:00 PM Performance of vesnyanky-inspired repertoire with a small band AND YOU!! …….more details to come…
SAT APRIL 22 5-7 PM SCAPING THROUGH TRADITIONAL SONGS
On this last date, the workshop will focus on vocal improvisation, covering some sounding and improv techniques, and how they can be used in rearrangements of traditional polyphonic songs. The performance will feature mostly a capella arrangements of Ukrainian and Georgian songs, including the Sound Stepping Suite, commissioned by Urban Vessel for riverMouth on the Echoes app.
5:00-6:15 PM Vocal Workshop 6:30-7:00 PM Performance with participation from YOU!!
more details to come…
ALL WORKSHOPS AND PERFORMANCES ARE PWYC & TAKE PLACE AT:
THE TRANZAC CLUB, 292 BRUNSWICK AVE (just South of Bloor in Toronto).
Presenting a refreshing sound by two seasoned world musicians, Andrea and Jaash feature an extensive repertoire of tunes from diverse musical traditions. Their inspirations are vast, drawing from jazz, roots and other, sometimes obscure musics from around the world. The result is a harmonious blend of melodies, rhythms and musical styles that explore and unravel a sonic story.
While circling each other’s musical orbit for years, Andrea Kuzmich (a specialist in vocal polyphony) and Jaash Singh (a multi-instrument percussionist) finally came together to perform in late 2020. Without a doubt, there were challenges in creating music under the conditions of the pandemic, but this did not stop them to quickly develop an extensive repertoire of tunes from diverse musical traditions. Their inspirations are vast, drawing from jazz, pop, and traditional musics from far off pockets of the world, including Eastern Africa, the northern and central Caucasus, and Turkey. The result is a harmonious blend of melodies, rhythms and musical styles that explore and unravel a sonic story.
Below is a rough mix and edit of video of the Georgian song შენზე ფიქრებს ბედავს გული თავხედი (the heart dares to think of you) in the Georgian language.
Andrea and Jaash’s first performance was in a park – the safe outdoors – and soon after, everything closed up from the threat of covid. So their next collaboration was creating this short EP of festive tune.
They have since performed in actual venues around Toronto. Here’s a video of them from December 1 2021 at Hirut Cafe, performing Ой у лісі лісі – коляда – Oh in the Woods in the Forest, a traditional Ukrainian Christmas carol wrapped up in a jazzy feel.
As an award winning singer, a teacher, an ethnomusicologist, and music facilitator, Andrea has performed in and/or recorded with numerous ensembles and choirs throughout Toronto: from Whitney Smith’s Big Steam Band to the conventional SATB Choir of Trinity-St. Paul’s United Church; from the contemporary improvised new music of the Element Choir and vocals she provided for the soundtracks of The Witch and The Tall Grass, to the traditional folk music of Ori Shalva, Gabo’s Trio, Darbazi, ZARI, Kosa Kolektiv or Kalendar. She has worked and performed with many of Toronto’s finest musicians, including Maryem Tollar, Bernie Senenski, Kevin Malon, Alex Samaras, Christine Duncan, and many others.
Jaash Singh is a highly sought after percussionist, specializing in live performance, dance accompaniment, studio recordings, theatre and television. He performs in a variety of styles, on a variety of instruments including drum kit, darbuka, tapan, cajon, and more. He is currently active in several projects including the Lemon Bucket Orkestra, Ventanas, and Nomadica, among others. He also works as a tour manager and operations manager for festival and conference presenters BLOK and URGNT.
A fun, physically active, movement and rhythm workshop, and a great workout for the brain…
With workshops for the Ontario Womyn’s Winter Drum Camp and our own zoom classes, we had a great go of winter. But spring is here now, so no matter your level, no matter your experience, we invite you to join us online and make music with your bodies.
Body Percussion Tuesdays!!
Next workshop is TUESDAY MAY 25 and every other Tuesday
7:00-7:45ish PM EST on ZOOM!!
$10-15 for employed, PWYC for underemployed (per Tuesday class)
Sign up with our PAY PAL link (be sure to grab the zoom link when you do) or use our Contact Us Page for more info.
A PHYSICALLY FUN AND ACTIVE WORKSHOP FOR BODY AND BRAIN
These are physically active workshops, where layers of rhythm are overlapped to make some serious groove. A singing component involves vocalizing rhythms as well as singing songs and riffs, sometimes in harmony. With all these layers, we’ll challenge your brain but in such a fun way! Without realizing it, you’ll develop a stronger sense of rhythm but also experience the pure joy of making music solely with your body.
Below is a fun arrangement based on a Ukrainian new year carol.
BEGINNER and INTERMEDIATE
Because we start with simple patterns and build upon them, our workshops accommodate both beginner and intermediate levels. Those who are more adept are given more challenging rhythms to layer on top of a basic rhythm. Alternatively, those challenged by the more demanding rhythms can practice holding the simpler rhythmic pattern. Vocals, like singing or vocalizing rhythms, are another layer that can be added.
IN EACH WORKSHOP: DRILLS, SONGS and ARRANGEMENTS
Each workshop will usually start with drilling some rhythm rudiments to develop and strengthen your technique – all in a fun and accessible way. But within the span of a 2-4 workshops, we’ll also be working on a single arrangement, that way people can take the time to learn the choreography while developing their skill.
For the end of March through April we’ll be working on a piece based on a West African Song called Baga Gine. You can see a bit of the song in the video below, but we’ll also be including a break and something of a coda, the latter which you can hear in the videos below (note, one of them is a funny sped up video from one of our past workshops).
Around the spring of 2014, MusiCamp’s director and founder, Andrea Kuzmich, started exploring ways to use body percussion in our kid’s summer camps. It not only functioned as a pedagogical tool to help with rhythm and arranging, but also heightened the excitement of any song – and really was inspired by Andrea’s interest to instantaneously make a party-like atmosphere, any where, any time, without instruments, but through the body alone!
In the spring of 2019, she was honoured to lead workshops on body percussion at the Ontario Womyn’s Drum Camp. In prep to do so, she started hosting informal body percussion sessions with adults at the MusiCamp studio. These eventually evolved to online workshops in 2020, but…
Since body percussion can be done, outside, and in a socially-distanced responsible way, Andrea will be hosting workshops again outside in Toronto’s West End as soon as the stay at home order lightens. Visit back for more dates and/or let us know if you are interested.
Participants in this workshop will be introduced to cool rhythms that can be performed with the body and voice. This is a physically active music workshop, where layers of rhythm are overlapped to make some serious groove. The singing component involves vocalizing rhythms as well as singing songs and riffs, sometimes in harmony. Participants will come out with a stronger sense of rhythm and the pure joy of making music solely your body.
Starting with simple patterns and building upon them, the workshops present material to accommodate varying skills. Those who are more adept are given more challenging rhythms to layer on top of a basic rhythm. Alternatively, those challenged with the more demanding rhythms can practice holding the simpler rhythmic pattern. Vocals, like singing or vocalizing rhythms, are another layer that can be added. A component of drilling certain movements/rhythms will allow some room for individual variation, giving the student more of a chance to express individuality, which in turn makes it more interesting and musically alive!
From 2020 Virtual Drum Camp
Around the spring of 2014, MusiCamp’s director and founder, Andrea Kuzmich, started exploring ways to use body percussion in our kid’s summer camps. It not only functioned as a pedagogical tool to help with rhythm and arranging, but also heightened the excitement of any song – and really was inspired by Andrea’s interest to instantaneously make a party-like atmosphere, any where, any time, without instruments, but through the body alone!
In the spring of 2019, she was honoured to lead workshops on body percussion at the Ontario Womyn’s Drum Camp. In prep to do so, she started hosting informal body percussion sessions with adults at the MusiCamp studio. These eventually evolved to online workshops in 2020, but…
Since body percussion can be done, outside, and in a socially-distanced responsible way, Andrea will be hosting workshops again outside in Toronto’s West End as soon as the stay at home order lightens. Visit back for more dates and/or let us know if you are interested.
ONLINE WORKSHOPS via ZOOM
SATURDAYS 2-4 pm EST (7 pm GMT)
Starting February 6th, and
EVERY OTHER SATURDAY AFTER
$20-30 for employed; pwyc for underemployed.
Questions?
A song requests?
Or want to sign up?
Drop us a line or click the PAY PAL button (make sure to enter your email address) and we’ll send you the zoom link.
MusiCamp’s most popular activity is running Georgian singing workshops. We usually run singing workshops in the fall, winter and spring. Our last one started late February 2020 – and after only 2 sessions, the workshop got hijacked by COVID 19 and the new social-distancing measures. Somehow, we transferred these harmony singing workshops to ZOOM and as you can see from the image posted above or the videos below, we were all singing together and, in some inexplicable way, it worked!! Here’s what a few of our participants have to say about it:
Thank you for a wonderful workshop and an opportunity to learn from artists with such integrity, talent and hospitality… The workshops are well structured, easy to follow and very enjoyable. – Merey Ismailova
An enjoyable sharing of interesting songs, singing and music. With a smiley side of open hearts and kindred spirits. – Jan Knoppers
If you want to learn more about how we teach harmonized singing online, please read on.
VIDEO OF ONLINE GROUP SINGING
HOW DOES SINGING HARMONIES WORK ONLINE?!
The short answer: it doesn’t. There will always be some kind of latency, even with the fastest internet speeds and the most advanced technology.
What makes it work for us is the fact that we are a singing family and have enough people in our household to sing all the harmonies – all three voices are covered on our end. The ZOOM participants actually sing along with us but they mute their mics so that their voices don’t lag and upset the musical form, as you can see in the videos.
VIDEOS OF TEACHING
WORKING ONE-ON-ONE
Like in our studio, we teach the parts individually (see the video above). Participants’ mics still need to be muted for this. But there are times when mics are turned on, so we can have conversations, make a toast (once in a while only), or work one-on-one with individuals to ensure the vocal line is correct, or even work on technique. We actually had a great session a few weeks back working on some distinctive timbral issues and inflections with krimanchuli, a yodelling style in Georgian polyphony. VIDEO WORKING ONE ON ONE
TEACHING KRIMANCHULI (Note: audio quality is poor due to the wrong mic settings).
SING-ALONG FEATURE
We even offer the play-along or sing-along feature (trio minus one voice) so that participants can test themselves, make sure they can sing their part alone, and sort of feel what it’s like to fit their voice into the trio. In the video below, the participants can practice the top voice independence with the bass and middle being sung by the workshop leaders.
SING ALONG: TRIO MINUS ONE
WORKSHOPS WILL START AGAIN FEBRUARY 6
Suggested $20-30 for employed; PWYC for under employed
Let us know you are interested through our Contact Us Page or click on the PAY PAL button (make sure to enter you email address) and we’ll send you instructions for installing and running ZOOM and setting up your microphone up to work with musical content (rather than spoken content).
In the meantime, stay safe and healthy and wash your spirit often with music ;) !!
MusiCamp 