Georgian Singing Workshops with Ori Shalva

 

Take part in a Georgian singing workshop and join the thousands of voices before you that have contributed to this millennia-old folk tradition.

The songs we teach span a wide range — from lively toasting and horse-riding songs to meditative chants — and vary in complexity depending on the skill level of the participants and the length of the workshop. We provide lyrics (and occasionally notated scores), but all songs are taught by ear, since this is the most effective way to convey the unique musical nuances of the tradition.
We also spend time on developing specific vocal techniques characteristic of Georgian singing. (Check out some of the videos below.)
If time and enthusiasm allows, we may even teach a round dance – both the song and the movement – it’s such fun! (see a vid example at the very end.)

Whatever we end up teaching, we always explain each song in the context of Georgia’s diverse regional styles, genres, and cultural narratives.

TEACHING STYLE

The videos above provide a general mood of our workshops and an idea of some of the repertoire we cover. The videos below – although are from our online workshops – are examples of our teaching style:
1) melismatic techniques from Satamahsho, a Kakhetian dance songs;
2) a complex krimanchuli (yodelling) line from the song Guruli Perkhuli;
3) general way of teaching the Svanuri song Lazhghvash;
4) reviewing all three parts of Azar (a lament from Abkhazia);
5) demonstrating possible variants in Imeruli Mgzavruli
6) teaching the last verse of Imerguli Mgzavruli
Please note these videos are excerpts and represent only a moment of the whole teaching process.

MORE ABOUT US

We are Canada’s foremost experts in Georgian polyphony, Georgian-born singer/multi-instrumentalist Shalva Makharashvili, his Toronto-born partner, singer and published Georgian ethnomusicologist, Andrea Kuzmich, and their son Shalva-Lucas (aka Luca) Makharashvili. Shalva and Andrea have been leading Georgian singing workshops for over 20 years. Both were featured soloists in Darbazi; founded the award-winning trio ZARI; and perform with their family ensemble Ori Shalva. They also have collaborated with many groups in Canada, including the award winning international ensembles Tafelmusik and the Aradia Ensemble; as well as UofT Vocal Jazz Ensemble, Toronto Children’s ChorusFolk Camp Canada (formerly the Kosa Kolektiv) and many others. As a result, they have exposed many in Toronto (enthusiastic amateur singers to professional musicians and composers) to the intricacies of Georgian polyphony.

WHAT PEOPLE SAY ABOUT OUR WORKSHOPS

An enjoyable sharing of interesting songs, singing and music. With a smiley side of open hearts and kindred spirits.
– Jan Knoppers

Thank you for a wonderful workshop and an opportunity to learn from artists with such integrity, talent and hospitality… The workshops are well structured, easy to follow and very enjoyable.
– Merey Ismailova

ABOUT GEORGIAN POLYPHONY

Georgia, is located in the mountainous region of the Caucasus, the crossroads of Europe and Asia. Its ancient singing tradition, known for its distinctive and haunting harmonies, was recognized by UNESCO as an intangible masterpiece of humanity in 2001. The 3-part form defies Western conventions and comes in a plethora of musical dialects, reflecting the diverse geographical and cultural makeup of the land.

If you are interested in having Ori Shalva lead a workshop,  send us an email through the contact us page.

ECHOES OF SAKARTVELO

Finally we get a chance to properly thank you for your incredible support of our fundraiser, Sakartvelo Bound. Your contributions—whether through well wishes, endorsements, financial aid, or labor—enabled us to return to Georgia to study and perform Georgian songs for the first time as a family. Immersing ourselves in the land, traditions, and teachings of the world’s best Georgian singers was transformative. Experiencing the spirit of this musical tradition in the homeland has rejuvenated our passion and commitment to sharing Georgian polyphony.  There was also a  strange sweetness to witness the many Canadian flags ornamenting so many places and events, and a humbling reminder of our role in representing Canada. But we did Canada proud – as we found ourselves pleasantly surprised to receive so many accolades for our authentic performances of Georgian polyphony, along with invitations for further collaborations in Georgia and with the broader singing communities across Europe. Thank you for making this journey possible!

And in case you are curious, below are many details of our travels and experiences. Hope you enjoy reading about it and please feel free to reach out if you have any comments of questions.

Supras, food, song and toasting…

On the first night of Festival Sakartvelo, after a 5+ hour bus ride from the State Folklore Centre in Tbilisi to Ambrolauri in Racha, we were greeted with an unforgettable feast. Fresh meats, vegetables, herbs, spices, and walnuts came together in dishes bursting with distinct flavors. And it didn’t stop there—breakfast, lunch, and dinner were all equally abundant, almost overwhelming in their generosity.

A highlight of the region was Khvanchkara, a unique, exceptionally smooth, and richly dark red wine. Naturally sweet from a blend of grapes that grow exclusively on the north-facing slopes of Racha’s mountains, it was unlike anything we had ever tasted.

But a supra is much more than food and drink. Toasts anchor the experience, guiding the flow of wine and conversation, as one is not to drink without contributing to the toast. Songs weave through the moments, adding depth and connection. Whether it was an intimate supra with Giorguna as our tamada or the grand feast we shared on the mountain in Lechkhumi, these gatherings were magical and filled not only our bellies but also our hearts.

Ohoh! Gabo thrown from an unexpected bass line when singing with one of Dziraini’s banis. There were so many moments like these…

Lechkumi was like visiting a dream

Our cultural day was in Lechkhumi, a region in north west Georgia known as a wild, remote highland area of the Greater Caucasus mountains. We went to visit the wine estate of the Khmelidze family. We drove for hours, high into the mountains but the marshutka (small bus) couldn’t make it all the way to the top, and we had to walk the rest of the way. When we got there, it was like visiting a dream.

It was unbelievably picturesque. (I leave it to the pictures below to better describe.) But it wasn’t time to bask in the beauty. Our day was filled with a singing/dancing workshop, wine tasting, a Lechkumi cuisine demonstration, a dance performance and, of course, a supra. 

Tornike Skhiereli, the leader of Dziriani taught all the participants, including the administrators, the song Raeo. How epic it was – all of us singing and dancing on the top of the mountain. (Check out the video below in the learning from Dziriani section)

The hill that the bus couldn’t climb

The Khmelidze family has been making wine in small batches for over 200 years. The process involves the wine gestating in a qvevri, a large egg-shaped earthenware vessel that is buried in the ground for at least 8-9 months. We tasted 3 different wines, all of which were amazing. And then after, or maybe during, we broke out into song and dance, right on top of where the next batch of wine was gestating. Levan Khmelidze, the patriarch of the estate, was so pleased, suggesting that so much singing would make his wine taste even better. 

Of course the singing didn’t end then. It carried on into the Supra, which looked like something out of a fairy tale: two long tables, ladened with Georgian food and the tasty Khmelidze wine, stretching out, overlooking the mountains.

A Word About Dziriani: study, friendship…

At the beginning of the international folklore festival we were grouped with a wonderful choir of Rachian Georgian singers called “Dziriani” who shared their songs and drinks with us over the next 3-4 days. Below we talk about what we learned from them but more profoundly than learning the songs, we experienced their warmth, generosity and joy and have made lasting lifelong friendships!

In the days leading up to the performance in Racha, Dziriani taught our group two songs; The first being “Dalie”, a two-choir drinking/celebration song that was perfect for getting us in the Georgian spirit. The second was “Maghla Mtas” which translates to “high mountain”, a tale of a centuries-old battle between the Rachians and the Ossetians. It is also performed in a two-choir formation but this one has a round dance, which they tried teaching us!

Following the concert in Racha we traveled with Dziriani to Lechkumi, which we already mentioned above. Before hitting the road, Iuri (one of the members of the choir) stopped at his mom’s house to pick up a stack of freshly made lobiani and jugs of wine (you can see the pictures of this in the gallery above), and then we were off to the higher mountains. Dziriani sang so much on the ride up that the leader of the group, Tornike Skhiereli, had to urge his choir members multiple times to save their voices for later performances.

After tasting wine and singing even more with all the groups of the festival, Dziriani taught everyone one last song: Raeo, which had all of the groups singing and dancing together on top of that picturesque mountain haven.

Concert Culture 

When I talk about concert culture in Georgia, it’s a different perspective. It’s not about the audience’s experience. It’s about the performers. And in Georgia, when you throw so many singers together, you just can’t stop them. Singing results. Lots of singing. Even some dancing. One doesn’t have to wonder whether more singing takes place off than on stage in Georgia – it’s just a fact in Georgia. Take a look at this video, a few hours before the opening concert of Festival Sakartvelo in Ambrolauri, Racha. Or the vids below of what happened backstage at the closing concert of the festival.

And check out these pics to help convey more about the atmosphere around concerts in Georgia.

Performances & Ensembles

There’s no way we can adequately reflect on all the amazing music we saw. The two festivals (Festival Sakartvelo and the Symposium on Traditional Polyphony) featured an amazing and diverse line up of Georgian performers: like the mixed gendered Svan group Lalkhori; the women’s groups Satanao and Nanina; Mtiebi and Amer-Imeri continuing to thrive as a legacy to the Garaghanidze family; local Svanuri/Rachuli ensembles Lentekhi and Oni; the modern quartet Ranina; various student choirs from different Tbilisi Universities and different regional choirmaster schools; a trio performance featuring Georgia’s oldest surviving Master singer Tristan Sikharulidze; the inspiring and heartwarming Acharian village, song and dance ensemble Mareti; and of course the amazing featured Rachuli ensemble Dziriani.
Buy we also got to connect with a host of old and new singing friends who came to Georgia from all over the world to sing and learn Georgian songs. Most impressive for their humility, warmth and exceptional skills were the American women’s group Kitka and the Latvian ladies Saucējas. The relatively young group Alilo, from France, were also excellent singers and fun musical conspirators. We also developed new friendships with the Welsh women of Samaia and the Germans from Mravalo – an online choir led by one of Georgia’s premier conductors and music educators, Tamar Buadze. And there were so many others, like ethnomusicologists Polo Vallejo (who felt like our new-found-long-lost uncle) and Caroline Bithell, or Scottish singers Madge Bray and French singer Francoise Arnaud-Demir. Of course, our hearts warmed so much to see our long-time British and Australian friends from Maspindzeli and Gorani, some of whom we hadn’t seen for possibly 10 years. And we must say how impressed we were with Maspindzeli’s repertoire and performance! Holly Taylor-Zuntz and Susan Thompson are two other individuals that need mentioning, for their support in documenting and advocating for Georgian polyphony through their project Voices of the Ancestors. And of course we must recognize tireless organizers from the State Folklore Centre and the Research Centre for Traditional Polyphony like Nino Razmadze, Giorgi Donadze, his son Erekle, Zura Tskrialashvili, Givi Abesadze, Ana Lolashvili and countless others who worked so hard and were exceptional hosts.

Wish we had space for pics of each group/scholar who participated in these festivals; instead this group shot will have to do

Of course there were many other performance and ensembles that were amazing, many of which never got recorded. However, if you are interested in checking out more performance videos , visit the Voices of the Ancestors Youtube channel.

Scholarship…

One final note – Andrea, as a scholar, also took part in a few academic presentations.

Andrea presented a paper on the transnational practices of traditional Georgian and Ukrainian polyphony within the dynamic cultural landscape of Toronto.  She noted that Georgian polyphony is supported by a small diaspora with limited institutional backing, unlike in Georgia, where it benefits from significant support. In contrast, Ukrainian polyphony in Toronto is bolstered by a well-established diaspora with strong cultural infrastructure but faces challenges due to the tradition’s marginalization in Ukraine.

And at a round table on International Participation in Georgian Traditional Music, Andrea highlighted the lack of recognition for the significant achievements of Georgian polyphony in Canada. She attributed this to the greater distance and financial challenges of accessing Georgia from Canada compared to Europe or the United States and advocated for the international community and Georgians to not forget the work done in Canada. 

Thank you!

There really is so much more we would love to share with you but it already took us so long to make this post! But this journey deepened our connection to Georgian music and traditions in unimaginable ways, and we are immensely grateful for the opportunity to represent Canada so meaningfully. Thank you for making this experience possible! We hope you enjoy the photos and videos and invite you to reach out if you have any questions or comments.

THANK YOU GIFTS for helping send Ori Shalva to Georgia

  • An album of ZARI chanting in the Shiomghvime monestary in Mskheta
  • The live concert recording of GABO’s TRIO from the 2018 Symposium on Traditional Polyphony
  • A yet-to-be released 2019 recording of ORI SHALVA. These tracks, originally recorded for the TV show Sounds of Canada, produced by the Ethnic Channel, were never fully released! AND includes a bonus track by the beautiful Iremashvili Sisters.

17 out of 20 available

These handmade sheepskin hats, from the mountains of Georgia, are beautiful, breathable and really warm.
When it’s really cold, wearing one is almost like wearing another jacket. You will literally be armed with the warmth of this hat.
They come in an off-white colour (as in the picture), black, or off-white with light brown spots. When you choose this gift, don’t forget to let us know your hat size and preferred colour.
For pickup or delivery within reasonable distance from Toronto.

2 out 4 available

  • Includes the 3-Album Digital Bundle from above
  • ZARI’s first CD, recorded by the award winning Jeremy Darby at Canterberry Studios in Toronto.
  • DIDGORI’s first CD

We’ll send you the physical copies of these CDs and also make them available for download in MP3 format (and the artwork in PNG format).

19 out of 20 available

Shalva Makharashvili  has been performing the music of his homeland for over 35 years. Starting with the panduri at the age of 4, and progressing to classical guitar, studying at the Tbilisi Conservatoire. He is a natural at both the panduri and chonguri and has experience teaching online as well as in person.
Note: in-person lessons must be within a reasonable distance from Toronto.

2 available

Have a special event coming up – a big anniversary, a birthday, a reunion?
Consider having Ori Shalva as that something extra to make your dinner or special event unforgettable. Have us sing a few sets or use us more informally or theatrically… Or have us frame your dinner/event in a more traditional Georgian way, with the combination of meaningful, uplifting toasts and powerful, visceral songs.

2 available

Have Ori Shalva teach a 2-3 hour workshop for your group of singers.
In some shape or form, the members of Ori Shalva have been teaching workshops in Georgian Polyphony for over 22 years! With epxertise teaching online as well as in person.

Note: in-person lessons must be within a reasonable distance from Toronto, though we may consider travelling further to lovely places ;)

4 available

Join us at THE SUPRA.
SUNDAY SEPT 8, 4:30 PM – 7:30ish PM

at the beautiful Teatro Sur Theatre, in Toronto, 1159 Dundas St E Studio 145, at Carlaw.
This is a rare chance to experience the exceptional blend of Georgian cuisine, beautiful toasts and powerful songs – performed by Ori Shalva – through a ritual feast called the SUPRA. Includes 2 glasses of wine with a 5-6 course meal, featuring some of the exquisite cuisine of Georgia.

0 out of 15 seats available.

Learn a little bit more about the supra and our menu here. But alo check out famous international chef Jamie Oliver’s promo piece on the Georgian Supra.

If you are ready to donate, you can do so 2 ways:

  1. Save on processing fees and send your donation via e-transfer to orishalva AT gmail.com. Please include Title of the Thank You Gift in the message box and be sure to send us an email so we have your contact info to send a confirmation receipt and updates.

  2. Donate using Credit Cards via our PAYPAL LINK (which is in Andrea’s name).
    Note: You do not need to have a paypal account to donate this way.
    Also note: we will send you a confirmation receipt and updates to the email you used with the paypal payment.
    Please be sure to enter the correct amount and choose the correct gift from the drop down menu.

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FUNDRAISER: SAKARTVELO BOUND…

SAKARTVELO BOUND is a crowdsource funding initiative, where each donation holds so much significance, and unique and thoughtful gifts for those who contribute.

OUR THANK YOU GIFTS ARE POSTED! CHECK THEM OUT HERE

Ori Shalva has been invited to sing at two prestigious festivals, the International Folk Festival Sakartvelo in Racha and Tbilisi, hosted by the State Folklore Centre of Georgia; and the International Symposium on Traditional Polyphony sponsored by the International Research Center for Traditional Polyphony at the Tbilisi Conservatoire.  

Unfortunately, our original funding fell through and we struggled with the decision of whether we should still go. Given that it’s the first time our whole family will sing and perform in Sakartvelo, we have mustered the courage to embark on this tour! 

As you know, travel from Canada to anywhere is expensive. But travelling with a whole family, to a niche location like Georgia is even more challenging! So we have created this fundraiser, SAKARTVELO BOUND, to help with our flight costs (over $8000!) and we welcome any support we can get. 

We have lots of heartfelt and unique gifts in exchange for your donations, like:

  • a seat at an authentic and intimate traditional Georgian feast framed by an elaborate series of toasts punctuated by songs performed by Ori Shalva
  • music lessons with Shalva (senior)
  • a personal performance by Ori Shalva
  • Genuine sheepskin Khevsureti hats
  • and more! 

OUR THANK YOU GIFTS ARE POSTED! CHECK THEM OUT HERE

Since we ourselves are so niche, we will run a grassroots campaign. To make a donation and select your gift/s, we ask you to contact us via email (orishalva AT gmail.com) or through our online form, soon to be posted. And we are excited to update the tally of available gifts and funds raised as we go along.

With deep gratitude,
Andrea from Ori Shalva