Category Archives: Content

Georgian Polyphony & Young Voices of Toronto

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Sunday June 5 2016 3:30 PM
Jeanne Lamon Hall in Trinity-St. Paul’s United Church, Toronto
Colour Me Spring Concert
by Young Voices of Toronto featuring Georgian Polyphony.

 
For months now, MusiCamp has been workshopping Georgian Polyphony with one of Toronto’s best children’s choruses, Young Voices of Toronto (YVT). And on June 5, they team up with ZARI and the Makharashvili family to present a set of traditional Georgian polyphony.

YVT, formerly known as High Park Choirs, is the Children’s Choir-in-Residence at the University of Toronto. Under the artistic directorship of Zimfira Poloz, YVT is known for its professional, diverse and unique choral programs.

ZARI is a trio that exclusively sings Georgian polyphony and features MusiCamp director Andrea Kuzmich. The Markharashvili Family is Andrea Kuzmich’s family singing Georgian songs. You can hear them singing with Basiani, one of Georgia’s acclaimed state folk ensembles here.

YVT

 
Doors Open at 3 pm.

Show starts at 3:30 pm and runs approximately 2 hours

$25 adults, $15 youth and seniors, children 5 and under free

Tickets can be purchased here

 

 

Lecture on Georgian Polyphony

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Andrea Kuzmich, MusiCamp’s director, is guest lecturing at Ryerson University, for the Traditional Musics of the World Course.

Georgia, is located in the mountainous region of the Caucasus, the crossroads of Europe and Asia. Its ancient singing tradition, known for its distinctive and haunting harmonies, was recognized by UNESCO as an intangible masterpiece of humanity in 2001. The 3-part form defies Western conventions and comes in a plethora of musical dialects, reflecting the diverse geographical and cultural makeup of the land.
This hour-long lecture will introduces traditional singing practices of Georgia by exploring the variety of polyphonic singing styles through musical examples (audio and video) as well descriptive analysis. It will also reflect on how the practices figures into the region’s historic, geographic and cultural contexts.

Guest Lecture on Georgian Polyphony by Andrea Kuzmich
For the Traditional Musics of the World Course
POD 368, Ryerson University
Cost: Free.

6-week Georgian Singing Workshop

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A 6 Week Workshop led by Shalva Makharashvili and Andrea Kuzmich
MONDAYS 7 – 9 PM April 11 – May 16 2016
at the MusiCamp studio
$240 for new participants; $200 for repeat students
More info or register by email through our contact page

The picture above is of workshop leader Shalva with his children singing with Basiani, one of Georgia’s acclaimed state folk ensembles. Have a listen to them here.

IMG_1558Take part in a Georgian singing workshop and join the thousands of voices before you that have contributed to this millennia-old folk tradition. Georgia, is located in the mountainous region of the Caucasus, the crossroads of Europe and Asia. Its ancient singing tradition, known for its distinctive and haunting harmonies, was recognized by UNESCO as an intangible masterpiece of humanity in 2001. The 3-part form defies Western conventions and comes in a plethora of musical dialects, reflecting the diverse geographical and cultural makeup of the land.

Canada’s foremost experts in Georgian polyphony, Georgian-born singer/multi-instrumentalist Shalva Makharashvili and Andrea Kuzmich, will be leading the workshop. In this series, we’ll take a look a variety of regional styles and song-types (work/travel/table/love songs and chants). At the end of the 6 weeks we’ll have a little performance for friends and family… and a little toast – to keep it in the Georgian tradition…

For some samples of Georgian songs have a listen to Shalva’s and Andrea’s trio soundcloud playlist

To register for the workshop send us an email through the contact us page.

 

Instrument Making at MusiCamp

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Yes, these are real, playable instruments. They aren’t toys or kids’ versions. They are still played today and have an interesting social history worth telling. But best of all, they are fun to play and are excellent pedagogical tools for teaching musical concepts of tonality and harmony.

 

The Diddley Bow

The diddley bow is the instrument featured in the picture above on the left. As you can hear and see in the video below, the diddley bow is played with the neck of a glass bottle and a stick (though at MusiCamp we replace the glass bottle with a copper washer, it’s a little less dangerous). The result is very bluesy! No wonder the diddley bow is considered the precursor to the slide blues guitar.

The diddley bow is related to many different instruments found around the world (like the andibidi from the Congo, the umakweyana of West Africa, the dan bau of Vietnam, the gobichand of India). But this particular set up, a metal string expanded over wooden 2X4 (it used to be the wall or beam of house) with a metal or glass resonator, is of African American origin and emerged out of  the ugly social and economic conditions of slavery in the Southern United States.

More pictures of the diddley bow construction at MusiCamp can be found here.

The Bucket Bass

The featured image at the top of this post show three campers building/painting their bucket basses.

Below is a video of Andrea, MusiCamp’s director, and her son performing In The Highways Of The Hedges with the bucket bass. NOTE, you need headphones or good speakers to hear the bass because laptops and mobile devices tend to cut out the bottom end.

The bucket bass, closely related to the washtub or tea-chest bass, is not so different from the diddley bow. Both are one-stringed instruments and vary the tension on the string to alter pitch. The emergence and use of either the bucket, the washtub or the chest as a resonator is similarly linked to conditions of economic hardship.

For more information about the construction of the bucket bass visit our earlier post about making a washtub bass.

Cigar Box Diddley Bow

In 2015 we started making cigar box diddley bows as well (picture below).

cigarbox diddleybow

6-week Georgian Singing Workshop

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A 6 Week Workshop led by Shalva Makharashvili and Andrea Kuzmich
THURSDAY 7-9 PM February 4 – March 10 2016
at the MusiCamp studio
$240 for new participants; $200 for repeat students
Register by email through our contact page

IMG_1558Take part in a Georgian singing workshop and join the thousands of voices before you that have contributed to this millennia-old folk tradition. Georgia, is located in the mountainous region of the Caucasus, the crossroads of Europe and Asia. Its ancient singing tradition, known for its distinctive and haunting harmonies, was recognized by UNESCO as an intangible masterpiece of humanity in 2001. The 3-part form defies Western conventions and comes in a plethora of musical dialects, reflecting the diverse geographical and cultural makeup of the land.
Canada’s foremost experts in Georgian polyphony, Georgian-born singer/multi-instrumentalist Shalva Makharashvili and Andrea Kuzmich, will be leading the workshop. In this series, we’ll take a look a variety of regional styles and song-types (work/travel/table/love songs and chants). At the end of the 6 weeks we’ll have a little performance for friends and family… and a little toast – to keep it in the Georgian tradition…

* If you are interested, let us know what evening works best for you and we’ll try to best accommodate your availability.For some samples of Georgian songs have a listen to Shalva’s and Andrea’s trio soundcloud playlist

To register for the workshop send us an email through the contact us page.

 

Diddley Bow Song

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Must Hear! Especially the ending!!
Diddley Bow Song from the Rhythm & Stuff week at MusiCamp 2015.

 

A large part of MusiCamp is making instruments and the tin-can-2X4 diddley bow featured in this post is just one type of instrument campers can choose to make during their week at MusiCamp. This past week, these three campers decided to really explore the playing of the instrument and in particular drew from the instrument’s African origins. They based this song off of a Malawian song we heard from another Youtube video that discusses the history of the diddley bow – and it was so much fun to figure out and then play – and these guys did a great job getting the groove! Have a listen to them and make sure you listen to the end to hear their singing!

 

Malawi was probably used as an example in “The History of the Diddley Bow” video because Malawians were and are so successful at using recycled containers as resonators for homemade instruments and then creating music that is exciting and fun yet distinctly Malawian. I spent a few years in Malawi in the 1990s and especially recall the Malawian Chibuku beer box guitar!

 

The diddley bow, as seen in the above video, with tin resonator attached to wooden 2X4, is believed to be an African American origins, though it is related to many different instruments found around the world, like the andibidi from the Congo, the umakweyana of West Africa, the dan bau of Vietnam, the gobichand of India. More information on instrument making at MusiCamp can be accessed here.

 

By the way, in case you are wondering, the Rhythm & Stuff week was originally scheduled as West African Drumming Camp; however, because we didn’t have enough registrants (we needed 7 registrants to run the drumming) we ran an alternative program that involved lots of rhythm fun, including lots of body percussion as well as beatboxing, rhythm games and some hand drumming and singing.

 

6-week Georgian Singing Workshop Starting May 12 2015

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A 6 Week Workshop led by Shalva Makharashvili and Andrea Kuzmich
TUESDAYS 7-9 PM May 12 – June 16 2015
at the MusiCamp studio
$240 for new participants; $200 for repeat students
Register by email through our contact page

 
IMG_1558Take part in a Georgian singing workshop and join the thousands of voices before you that have contributed to this millennia-old folk tradition.Georgia, is located in the mountainous region of the Caucasus, the crossroads of Europe and Asia. Its ancient singing tradition, known for its distinctive and haunting harmonies, was recognized by UNESCO as an intangible masterpiece of humanity in 2001. The 3-part form defies Western conventions and comes in a plethora of musical dialects, reflecting the diverse geographical and cultural makeup of the land.
 
Canada’s foremost experts in Georgian polyphony, Georgian-born singer/multi-instrumentalist Shalva Makharashvili and Andrea Kuzmich, will be leading the workshop. In this series, with wedding season just around the corner, we’ll take a look at some wedding processional songs as well as a host of other songs (work/travel/table/love songs and chants) in a variety of regional styles. At the end of the 6 weeks we’ll have a little performance for friends and family… and a little toast – to keep it in the Georgian tradition…
 
For some samples of Georgian songs have a listen to Shalva’s and Andrea’s trio soundcloud playlist

To register for the workshop send us an email through the contact us page.

 

Serious Groove at MusiCamp 2013’s West African Drumming Week

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This slightly edited video is from our 2013 week-end performance of the children-composed rhythm “Timbaraba.”

Although it is difficult to see, at the back left are 3 double headed drums known as dunun. The dunun play a complex interlocking rhythm upon which the djembes play another rhythm or solo.

NOTE: Because the speakers of computers and portable devices aren’t designed to capture the bass, to hear the dunun pattern you need to listen to this video with headphones or good speakers.

Making a Washtub Bass at MusiCamp?… hmm…

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As I mentioned in previous posts, MusiCamp was considering the possibility of campers making washtub basses as well as diddley bos this summer. So, this past Victoria Day my partner and I attempted to make a washtub bass.

For those of you who don’t know, a washtub bass is a one-stringed bass made up of a stick, a string, and an overturned washtub as the resonator (or better understood as what amplifies the sound of the plucked string).

Tin olive oil container on left and 5 gallon plastic bucket on right.

We tried two different containers (the resonator of the instrument), two different strings, and a variety of playing techniques. While we quickly resolved what physical equipment (resonator and string) worked best, the playing techniques is clearly a work in progress ;) .

One container was a food-industry size oil container. It was metal and so I figured it would resonate more like a traditional washtub than the other alternative resonator, the 5 gallon plastic bucket. But the plastic bucket had a way fuller sound and the one we much preferred.

The two strings we tried was a cotton rope and a plastic weed-wacker line. We liked the rope more but it busted before we even got a chance to properly savour the sound. Luckily, the sound of the weed-waker line wasn’t dramatically different from the rope.

The construction simply involved taking a rake or broom handle, indenting a groove on one end and drilling a hole in the other. We also drilled a whole in the middle of the container/resonator. We then tied the one end of the weed-waker line to the container/resonator and the other end to the stick (which involved wrapping it around the stick a number of times and then securing it with duck-taped). Then we inserted the groove/indent on the rim of the bucket, the string becomes taught, and we started to twang away.

I had assumed that playing different pitches/notes involved moving the stick back and forth; however, this seemed very difficult to keep in tune -as you can see in the youtube video below.

The playing technique that I soon adopted involved placing the stick a little closer to the centre of the bucket and using my fingers (usually just the index finger or the whole hand) to pitch the notes as well as moving the stick.

So, while I still need to work on the bass playing technique and possibly experiment with the instrument design to help secure the stick a little more (and thereby the intonation of the pitches/notes I play!) it is quite a simple thing to make and it makes a great bass sound!

Final say on the wash tub bass at MusiCamp? It’s definitely going to happen. I.e., if campers want to make one, it is very possible!

More Home Made Diddley Bos at MusiCamp

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Diddley bos are the precursor to the slide guitar and arguably the first blues instrument. We had intended to make these instruments only during Blues summer camp session but the kids loved them so much we made them every week! Not only that, we incorporated them into the music making of each week – quite a satisfying experience!

Click the picture below to view larger gallery of pics and video.

MusiCamp Diddley Bo, summer camp, kids, music