Are you interested in taking your hand-drumming practice to the next level? Ecole de Djembe is now offering a weekly drop-in djembe and dundun class every Monday evening, from 7:30 to 9:00 pm. All levels are welcome.
Students will be introduced to beautiful traditional polyrhythms from the Mande culture of West Africa (Guinea, Mali, Burkina Faso, Cote D’Ivoire), played on djembe and dunduns. We will start each class by focusing on basic and foundational techniques, followed by djembe and dundun accompaniments, simple solos and variations, improvisational techniques, cultural context, and occasionally traditional songs. Typically we will work on a single rhythm over several weeks. At the end of each class, students can make a clean recording of whatever we’ve learned.
Cost for a single drop-in class is $20, or you can pre-register for 6 classes for $100. Bring your own djembe if you have one; djembes and dunduns also available for student use if needed.If you’ve never tried hand drumming before, or your only exposure so far has been a drum circle, these classes are an excellent way to deepen your knowledge, skill and comprehension of the complexity of world rhythmaculture. Not only is it fun, it also brings numerous health and spiritual/emotional benefits.
Drumming has been clinically proven to:
– reduce blood pressure, tension, anxiety and stress
– boost immune system response
– assist in controlling chronic pain
– release negativity, emotional blockages and trauma
– improve focus, symptoms of ADD and dyslexia
Additionally, at the community level, hand drumming helps to create a sense of connectedness to Spirit, Self, and to others. In traditional Mande culture, the word ‘djembe’ is said to mean, literally, ‘to come together in joy/celebration’, and drumming is an integral part of all traditional community health.
Shortly after Anna Melnikoff began studying advanced metaphysics, meditation, and vibrational healing in 1996, she stumbled upon her first djembe and was called to study traditional Mande drumming. Her love affair with traditional Mande polyrhythms led her to Guinea, Burkina Faso, Senegal, and all over North America in search of teachers. Her formative training was with the lineage of Malinke master drummer Famoudou Konate and his extended family.